We
were excited about boarding El Chepe Express. We had heard and read plenty
about it. But getting our ticket and then getting on the train was work. It can
be this way in Mexico. When we attempted to buy our tickets online while still
in Baja, the Chepe website was a disaster even though we followed every rule
(in Spanish) to the letter (perhaps this was the problem?). Finally I
called FerroMex, El Chepe’s rail company, and after many entanglements with our
misaligned languages managed to get an email that proved we had paid for our
tickets. But did we actually HAVE a ticket? I wasn’t sure.
Nevertheless,
here we were now in the city of Los Mochis, determined to board the train that
the marketing brochures wrote would take us through “350 km (220 miles)
[passing] Sinaloa up to Creel, into the heart of the Sierra Tarahumara, passing
through the majestic Copper Canyon.” The trip would take 9 hours. We would rise
8,000 feet to the land of the Tarahumara people, famous for their ability to
run extraordinary distances up and down the mountains. While researching my
book Thumbs, Toes and
Tears, I had learned that when hunting these native people could
run deer down until the animals collapsed.
Arrival at
the Train Station in Los Mochis (Photo - Chip Walter)
That
morning, a glum taxi driver had juddered us through the dawn light grossly
overcharging us before we and our bags were deposited outside the Los Mochis
train depot. It was cool and humid. Brooding clouds slowly crept across the
sky. At 7:15 the FerroMex-operated Estacion opened. A man dressed smartly in a
FerroMex uniform herded passengers with boletos (tickets) into one line, and
everyone else in another. But which line did we belong in? We didn’t
exactly have a ticket, but we had payment confirmation. The uniformed agent
waved away our concerns. We would be fine; just board when we got the word.
But
a few minutes later the train’s conductor, in Spanglish, clarified that we did
need tickets. Dutifully, I lined up while Cyn held the fort with our bags. Six
people stood in front of us. Departure in 45 minutes.
We
waited. The line was moving at a glacial pace. Evil thoughts began to arise in
my mind. We had come several hundred miles out of our way to board this train
and didn’t want to miss it, and if we did we were pretty sure that getting our
money back would be a nightmare. I fervently wished I was fluent in Spanish.
Why couldn’t I make the sounds I needed to make to solve the problems I wanted
to solve? The voice in my head spoke: Control what you can. Let the rest go.
A
father with two boys and his wife was in the same boat as we were. He was
Mexican, but had worked several years in Texas and spoke excellent English. He
had paid for the ride and like us had the proof right there on his cell phone,
but he too was told he needed tickets. Now it was 7:30 and a mere two people
had moved down the line. The glacial pace, it turns out, was thanks to a
FerroMex employee at the ticket counter who was regaling each buyer, in minute
detail, about the train’s many amenities.
Our
friend was thinking the same thoughts I was. He snagged another railway agent
who looked to be in charge and urgently explained our situation. Yes, we still
need tickets, she answered in Spanish. Our friend tilted his head in the
direction of the ticket agent making the point that we can’t get tickets unless
we get through the line before the train departs. She seemed
unconcerned, but walked to the ticketmistress and told her to move things
along. Six people have now joined the line behind us and four are still in
front.
At
7:50 the family in front of us finally makes it to the counter. A pantomime
unfolds. The father speaks to the ticket agent. Rapid Spanish ensues. He
holds up his phone. More head waggling on both sides of the plexiglass.
Tick-tock. I can feel things are getting heated. Now the man’s wife enters the
picture. She offers the agent encouragement. Heads begin to nod. Finally
the ticketmistress picks up the phone and a minute later she is printing their
tickets. Done! I take solace in this. Now that this nice man and his wife have
plowed the bureaucratic road for us surely Cyn and I will breeze through.
I
step to the counter and show her the email on my phone.
“You
must forward your email to to FerroMex,” she says in Spanglish, “and then they
will issue her permission to print us a ticket. I jab a finger at my watch.
"No
tiempo!” I say, voice rising.
Again,
I thrust my phone up to the plexiglass and point at the 8400 pesos (about $500)
noted in the email when the mother of the family in front of us re-enters the
conversation, earnestly speaking through the plexiglass to the ticketmistress.
I love her. In my mind I think of her as “The Virgin Mother of Los
Mochis.” It's now 7:53. Seven minutes and the great Chepe will be gone.
Cyndy
sits stoically 50 feet away beside our bags in the now empty train station. By
now nearly everyone has boarded. The Mother of Los Mochis implores the agent in
Spanish so rapid I cannot possibly comprehend it. Then suddenly, the wife
turns, smiling and gives me a thumbs up.
"It's
good!" She says.
“Muchas
gracias!” I blurted. I wanted to embrace her. For every difficult human, there
are always several good ones. An instant later we had our tickets in
hand. I turned to thank the Virgin Mother, but she and her family had already
disapparated. Was this a miracle?
Cyn
and I wheeled away with our bags, tossed them to a waiting porter and bound
onto the Premiere Class coach in search of our seats. We plopped down, and then
with a bang, the engine of the mighty Chepe began to haul us out of the station
precisely on time.
I
grinned at Cyn. “After all of that,” I said, “this better be good!”
Departing Los Mochis
The
train’s windows are broad, made to reveal the views. We watched its 12 cars
pull us through an immense garbage dump. This didn’t look promising, but trains
everywhere travel through the backsides of cities and the views are rarely
stunning. We gathered speed and watched shanties fashioned from whatever people
have been able to find — cardboard, plasterboard, tarps, plywood, plastic —
parade by. White circular tubs stood outside, a flat square of dirt where
people can wash. Little flags of plastic or cloth provide a morsel of privacy
as the train slides by. Here and there skeletal corrals of old wood teeter in
the dirt. A few chickens peck in the dust, an emaciated goat or two munches on
tiny clusters of grass, while hand washed clothes hang languidly in the humid
breeze and a single rooster patrols a little dirt yard, wings spread, squawking
a clear message to all chickens that he is boss. I am reminded of John
Steinbeck's descriptions in Grapes of Wrath of the shanty towns during
the American Depression.
A
few moments more and I witnessed an image that will always remain with me: a
solitary young man, maybe 21-years-old, tall, slim with dark hair, raggedly
dressed. His paper COVID mask was strapped on his ears as he stood unmoving and
unmoved amidst 100 yards of garbage and tumbling plastic bags, gazing blankly
into the wreckage. What thoughts, I wondered was he thinking? What dreams did
he dream? What dreams was he allowed to dream? And then the train moved on.
As
we gathered speed the level of homes upgraded. Slowly the boarded slats and
plywood houses we had been looking at morphed into small enclosed yards with
porticos and cement walls and proper rooms capped with red corrugated roofs.
Ranches began to appear as we came into the foothills, small brick buildings
among scrub, rock, cactus, dry arroyos, dust and hard chunks of grass. A cowboy
on his horse clopped through a flat plain of dry prairie grass, his battered
straw hat swatting at a few horses and brahmin cows as he herded them into a
nearby corral.
In
time we broke into broad rows of corn filling the plains through which the
train resolutely passed. Before the day was done, the train would haul us into
canyons the guide books told us were five times the size of the Grand Canyon.
It swayed left and right, but its progress was steady as we moved towards the
beckoning Sierra Madre. I thought if there was one set of tracks that would be
carefully maintained, it would be this one. The express was the most popular
attraction in northern Mexico, and it brought tourists in by the hundreds of
thousands each year. Now that COVID seemed to finally be abating, the income
was deeply appreciated.
Life On Board Chepe
El
Chepe’s Premiere Class passenger coach offered a startling counterpoint to the
world through which the train passed. It was indeed first class, recently
renovated we were told. Leather chairs throughout, brown leather cloth and
metal scones for lighting, a linen like ceiling with more recessed lighting,
tan with valances recalling the fine Spanish architecture of the old days, and
an entire car devoted to anyone who wanted a drink in the first class section.
In the bar car all of the big windows had been opened and the train now chugged
up the mountains through fresh, cool air while the patrons helped themselves to
drinks and had the party going strong by 10:30 am.
The
interior of El Chepe’s Premiere Class coach, and the packed bar car
In
all of our experience in Mexico, we had never run into anyone who was unkind or
the least bit bad-tempered. That changed on the Chepe. The surliest people that
we came across were those riding in Premier class. Many of them considered
themselves wealthy, entitled to be loud, rude, insistent on their constant care
for the battalion of servers on board, seemingly unaware of the poverty around
them or even feeling superior because of it. They would order drinks and food
and toss away their trash and expect someone else to take care of it which the
servers dutifully did. I wondered if sometimes I acted like this, being
just as thoughtless, entirely unaware that I too was a jerk. If so I could only
hope this trip would help humble me, help me realize how truly we are all in
the same boat and at least deserve an equal shot. But everywhere it was
so clear that so many did not get equal shots and yet they seemed to continue
with a smile on their face, working hard, themselves humble and perfectly happy
with the state of their lives. Had I been born into those circumstances, I
wondered, would I feel the same?
Climbing Into Copper Canyon
Now
the views of the river plain below became stunning. We crossed over one of the
highest train trestles in the world, the river valley gaping hundreds of feet
below. Onward El Chepe rocked, always higher; we rose amongst cliffs of hanging
trees and flowers of vivid yellow, pink and periwinkle. We were leaving
civilization. In time a broad snaking river appeared, tumbling out the
mountains, the Septentrion, which means “going to the ocean.” It seemed to be
in a hurry.
For
a few hours the rails followed the channel the Septentrion had formed over the
epochs. The higher we ascended green rather than brown became the color of
choice - pine (Tule) and White Stick trees, Huisache and Jute bushes. The river
became a chasm filled with rocks the size of small homes, igneous domes toppled
from the ragged cliffs above.
Copper
Canyon’s monolithic cliffs
Despite
rocking and rolling upward, a small battalion of waiters with perfect, gleaming
teeth glided through the aisles carrying platters of snacks and wine, mojitos
or tequila from one car to the next. The service was impeccable and we were
often asked if we needed anything. Lunch would be served in the dining car
around noon and we chose chicken soup with light Seminola and three small
roasted pork chops in green sauce.
Higher
… now the turns grew sharper, twisting the train into taut switchbacks, and El
Chepe made every noise a machine could make, cracking, clapping and rattling,
screeching and hissing on its beds, but it never wavered in its journey. Soon
the canyon walls approached like closing, volcanic hands, sometimes no more
than 10 feet from our window. Rail workers had had to blast through every
one of the railway’s 27 bridges and 86 tunnels to take us on this route. It was
truly one of the world’s great engineering feats. The idea for the railroad was
inspired when Mexico granted a rail concession to Albert Kinsey Owen, founder
of the Utopia Socialist Colony in New Harmony, Indiana. Owen’s goal was to
build a socialist colony in Mexico and he needed a way to get people there.
Owen’s dream didn’t come true, but Arthur Stilwell who ran a company called
the Kansas City, Mexico and Orient Railway began construction in 1900. The
route was so rugged, so challenging that last rail wasn’t laid to its terminus
in Chihuahua until 1961.
Now
the train’s big blue engine began snaking us through fresh stands of pine, and
as we approached late afternoon the train seemed to level off a bit. We didn’t
see the immense canyon walls you see in the Grand Canyon, there are too many
trees, but the canyons are there, and we would catch glimpses, thick with
forest hanging along the immense ravines.
Tarahumara Trainside Vendors
Fifteen minutes
out of Divisadero, a favorite tourist stop on the route with Alpine-style
restaurants and hotels dropped among the Sierra Tarahumara, the train slowed.
From out of cluster of small homes a mother, teen daughter, little boy and even
younger girl emerged like apparitions. I suspected they were Tarahumara; the
mother and children were dressed in bright pink and deep blues. They ran
desperately carrying brightly colored hand-made baskets of all kinds. I wanted
to help, but couldn’t find a place to debark because the train moved
continuously a few feet at a time perhaps to give these people a chance to sell
some of their wares to the hundreds on the train. I finally remembered that in
between the train cars there was a window. But would it open? I ran to it from
our seats and found I could unlatch it. Immediately the family flocked to me,
holding out their beautifully woven baskets. Cyn and I had no room for any
gifts but I had 100 pesos in my pocket and handed it to the little boy running
along side. He leapt with joy and showed me his wide, white teeth. Immediately
his mother held out a variety of baskets.
“Regalo!”
I called out. A gift and I waved my hand.
After
I closed the window the train moved slowly away. Back in our plush seats,
I wondered why is anyone this poor? I knew the stock answers. Political
corruption, skewered capitalism, poor education … but those answers still
begged the question: Why had this family been dealt these cards and why had I
been so fortunate? It wasn’t as though I had earned my good fortune any more
than this family deserved the cards they were dealt. The simple luck of a grand
lottery placed me in the United States, white and entitled with a far bigger
shot at success than these folks. The same lottery had placed this hardworking
mother and her children on these tracks in the middle of Mexico’s mountains and
there wasn’t much they could do about it but make these baskets, and hope.
Arrival in Creel
When
we arrived in Creel, our final destination, it was a chilly 47°. The sun would
soon set among a sky of scuttling white clouds. When the train clattered to a
halt, people poured in droves from its coaches. Of the 12 cars, only a handful
were Premiere class. The rest were second and third class. Cyn and I debarked
but the narrow depot left no room for egress or ingress or progress. Cyn held
her ground and I battled my way through the crush to the baggage area, hauled
the bags onto our backs and began to head we knew not where.
We
were looking to find our hotel, the Villa Mexicana, but had no idea where it
was or how to get there. Cell signals are in short supply in the land of the
Tarahumara. I figured somewhere we would find a local taxi and figure
things out. Then among the throng, I saw one man with a baseball cap hold a
sign aloft: “Villa Mexicana.” I waved to him and he gestured toward a kind of
parking lot, and headed that way. We were still stuck, but finally we broke out
onto battered cement steps and found the man – Xavier, slim and whiskered with
soulful eyes, and we followed him to a serviceable white van with four others
already inside. Just dumb luck. Xavier rammed the clutch into reverse and soon
we were on our way. In the low light, off to the right, I saw El Chepe Express
sitting on its rails and gave it a salute.
Quick Tips for El Chepe
If
possible, arrive early, bring a printed copy of your ticket confirmation.
Consider
learning a few key Spanish phrases. A little preparation—and a bit of luck—can
go a long way.
Train
windows may be scratched — grab clean spots or open windows early for photos.
Sit
on the left side when heading east for the best Copper Canyon views.
FAQ
Q1: Where does the El Chepe Express route begin and end?
A:
The El Chepe Express runs between Creel, Chihuahua and Los Mochis, Sinaloa,
passing through the heart of Mexico’s Copper Canyon. Most travelers ride from
Creel to El Fuerte, or vice versa, to capture the most stunning scenery without
committing to the entire 9-hour journey. The full El Chepe Express route
between Creel and Los Mochis takes approximately 9 hours, though it can vary
depending on the number of scenic stops and dwell time at stations. Shorter
segments, like Divisadero to Bahuichivo or El Fuerte to Divisadero, offer
gorgeous views in 3 to 5 hours.
Q2: What kind of travelers ride El Chepe Express?
A:
You’ll find a mix of Mexican families, older tourists, and intrepid travelers,
especially in Clase Turista (Tourist Class). The vibe is more low-key than
luxury trains in Europe or Japan — but it’s authentic, unhurried, and social.
Passenger behavior varied sharply by class. While many travelers were quiet,
kind, and respectful — especially the servers and working-class passengers —
those riding in Premier class were often loud, entitled, and dismissive of
others.
Q3: What is the experience like on board El Chepe Express?
A:
On our ride, the train was comfortable, clean, and modern, with huge windows,
friendly staff, and surprisingly smooth rail. The food and drink options were
solid (think sandwiches and beer), and the onboard vibe was relaxed — part
transit, part sightseeing.
Q4: Is getting tickets for the El Chepe Express complicated?
A:
It can be. Even with a payment confirmation in hand, travelers may still face
confusion and delays when converting proof of purchase into actual tickets —
especially at the station in Los Mochis. We had paid 8,400 pesos online but
were still asked to line up again and submit the email confirmation to Ferro Mex
before tickets could be printed. The process was glacially slow due to a chatty
agent and unclear protocol.
Resource:
https://vagabond-adventure.com/library/riding-el-chepe-express-through-mexico-copper-canyon











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